Call Me Irresponsible

Personnel: Antoinette Scruggs, Siedah Garrett, Carmen Carter (vocals); Graham Dechter, Dean Parks, Heitor Teixeira Pereira, Larry Koonse, Michael Landau, Keith Scott (guitar); Dave Sinclair (acoustic guitar); Joel Peskin (saxophone, background vocals); Frederick Fiddmont, Lee Callet, Rickey Woodard, Thomas R. Peterson (saxophone); Salvator Cracchiolo, Gilbert Castellanos, James Ford (trumpet); Daniel Kelley, John A. Reynolds, Steve Becknell, Joseph Meyers (French horn); Guy Nepus, George Bohannon, Maurice Spears (trombone); James Self (tuba); David Foster (piano, Fender Rhodes piano, keyboards); Gerald Clayton (piano, keyboards); Tamir Hendelman (piano, synthesizer); Greg Phillinganes, Michael Melvoin, Alan Chang (piano); Jeff Hamilton , Joe La Barbera, Josh Freese, Ralph Humphrey, Vinnie Colaiuta (drums); Marcelo Costa, Emil Radocchia, Paulinho Da Costa, Rafael Padilla, Donald Williams (percussion); Jochem van der Saag (programming); Daniel Fornero, Salvadore Lozano, Emily Blunt, Rev. Dave Boruff, Gary Foster, Alan Kaplan, Phil Teele, Rick Baptist, Wayne Bergeron, Bill Liston, Charles Loper, Bruce Otto, Bryan Lipps (background vocals).Audio Mixer: Humberto Gatica.Recording information: Capitol Studios, Hollywood, CA; Chartmaker Studios; Conway Recording Studios; Record Plant Recording Studios; Signet Sound; The Village, Los Angeles, CA; The Warehouse Studio; Westlake Recording Studios.Photographers: Eric Ogden; Matt Taylor; William Claxton.Unknown Contributor Role: Clayton-Hamilton Jazz Orchestra.Arrangers: David Foster; Bob Rock; John Clayton; Johnny Mandel; Michael Bublé; Bill Holman; Alan Chang.Michael Buble ranks among the best of the contemporary crooners working in a classic pop-vocal style, and his 2007 album, CALL ME IRRESPONSIBLE, further refines his suave, smooth style. With its finger-snapping big band arrangements, the album has its share of homage to Frank and Dino, both obvious cornerstones of Buble's music. But this isn't merely a retro exercise; the tunes, the production, and the overall feel are decidedly contemporary.Stylistically adventurous versions of songs by Eric Clapton, Leonard Cohen, and Willie Nelson keep things lively, while "Everything," a Buble original, is one of the album's highlights. Still, cuts like the lead-off track ("The Best Is Yet to Come") and the old chestnut "I've Got the World on a String" will give listeners looking for some elegant, back-in-the-day pizzazz exactly that.